Next weekend, on Sunday February 11th, there is an exclusive opportunity to hear the first performance of Ivor Gurney’s late D minor String Quartet, composed in December 1924-January 1925. The Bridge String Quartet are to perform the work at the University Women’s Club, 2 Audley Square, London, in an event which is seeking to raise funds for a forthcoming recording on EM Records.
The Gurney Quartet survived by chance, where all of his other late chamber works are missing—presumed destroyed, and has been reconstructed from surviving, heavily revised, parts by Michael Schofield — the Bridge Quartet’s violist. The Adagio from the quartet, reconstructed by myself, was recorded a few years ago, so it is tremendously exciting to be able to hear the whole of the piece. I shall be talking about the history of Gurney’s Quartet, and will also be introducing and singing the baritone solo in Gurney’s 1920 song cycle The Western Playland, which will be performed in an edition I made a few years ago. As I have said elsewhere on this blog (See Here), The Western Playland has had a difficult history, post-publication, and is nowhere near as well known as it should be. It is a remarkable piece, and I hope that its forthcoming recording with Roderick Williams, the Bridge Quartet and pianist Michael Dussek, will revive its fortunes. For Sunday, it is slightly nerve-wracking being Roddy’s ‘stunt-double’ for an afternoon, but it is amazing how much physically performing a work increases the amount one gets inside it and come to know more about it, even having spent many hours editing and writing about the piece.
If you would like to attend the performance/talk next Sunday (11th February) please email firstname.lastname@example.org to let them know you are coming. Tickets will be £15 on the door, but the Quartet would like to know numbers in advance for the purposes of wine and cake!