My University of Exeter colleague and collaborator, Tim Kendall, and I are at present gearing up to submit the completed typescript of the first volume of our scholarly, variorum edition of Ivor Gurney’s complete poetical works to the publisher. By Easter it should be in the hands of our editor at the Oxford University Press and hopefully making its slow bur steadfast way to print. The subsequent two volumes should follow within a matter of a few months, having long been on the cusp of readiness. The first volume is the knottiest, but we are getting there, and the end is within sight.
This week I have mopped up the last few sources that have been niggling at my mind; manuscript repositories outside of the main Gurney collection that I have wanted to sift for references to, and ms. copies of, Gurney’s poetry, not to mention the possibility of finding any more otherwise unknown poems. To my great joy, there were four new poems to be had! A light verse of late 1915/early 1916, and three from the autumn of 1922. Alongside two fragments found last week, these last additions mean that the span of known, extant poems — approaching 1,800 in number — is now complete. However: I know of poems and indeed several notebooks/collections that are either lost entirely or merely squirrelled away, forgotten, not known for what they are, or preserved in private, closely guarded sanctuaries. So please, if you have, or know of, even the slightest fragment in Gurney’s hand, please speak now or forever hold your peace!
I hope that, now or in the future, some of Gurney’s lost works will surface, both musical and poetic, hoping beyond hope that these works have not been destroyed — although I know that many potentially important works have been lost irrevocably. Our poetry edition will be as complete as it can be, and the reader will at last be able to see the true picture of Gurney the poet, with a staggering thousand poems appearing in print for the first time. Some poems will fall and be passed over, for there is in his output work that is not ‘Great’ poetry, although it is of interest, biographically. But I can promise you that there is a new strength coming, particularly in the largely overlooked late work: revelations of poetic means and purpose. There isn’t *too* much longer to wait! It will be off our desks soon.